Oil Paintings
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Theo Van Rysselberghe Belgian Pointillist Painter, 1862-1926
was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Academy of Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Theo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there a total of one year and half. Barely 18 years old, he already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his Self-portrait with pipe (1880), painted in somber colours in the Belgian realistic tradition of that time. His Child in an open spot of the forest (1880) already departs from this style and he sets his first steps towards impressionism.
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Painting ID:: 11594
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Theo Van Rysselberghe Man at the Helm 1892
1' 11 3/4'' x 2' 7 1/2''(60.2 x 80.3 cm)Gift of Mrs.Ginette Signac,1976
Painting ID:: 11595
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Theo Van Rysselberghe Sailboats and Estuary ca 1892-1893
1' 7 3/4'' x 2'(50 x 61 cm)
Painting ID:: 23156
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Theo Van Rysselberghe Family in an Orchard (nn02) 1890
Oil on canvas,45 1/2 x 64 3/8'' Collection State Museum Kroller-Muller,Otterlo
Painting ID:: 40859
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Theo Van Rysselberghe The Woman in White mk156
1904
Oil on canvas
Painting ID:: 54287
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Theo Van Rysselberghe Portrait of Auguste Descamps mk235
1894
Oil on canvas
Painting ID:: 54288
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Theo Van Rysselberghe Family in an Orchard mk235
1890
Oil on canvas
115.3x163.5cm
Painting ID:: 71124
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Theo Van Rysselberghe signac on his boat mk290 1896 canvas 36x44in private collection
Painting ID:: 72060
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Theo Van Rysselberghe Portrait of Madame Charles Maus 1890(1890)
Oil on canvas
142.24 cm X 119.38 cm
cjr
Painting ID:: 73447
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Theo Van Rysselberghe Portrait de Madame Charles Maus Date 1890(1890)
Medium Oil on canvas
Dimensions 142.24 cm X 119.38 cm
cyf
Painting ID:: 73809
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Theo Van Rysselberghe Madame Von Bodenhausen avec son enfant Luli , ThXodoor van Rysselberghe (1862-1926): Madame Von Bodenhausen avec son enfant Luli , Oil painting, 1910
cjr
Painting ID:: 73886
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Theo Van Rysselberghe Anna Boch in her Atelier Anna Boch in her Atelier
1893(1893)
cjr
Painting ID:: 81237
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Theo Van Rysselberghe The Sisters of the Painter Schlobach Date 1884(1884)
Medium Oil on canvas
cjr
Painting ID:: 82238
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Theo Van Rysselberghe Lady in White - Portrait of Mrs. Theo Van Rysselberghe Date 1926(1926)
Medium Oil on canvas
Dimensions 91.5 x 73 cm (36 x 28.7 in)
cjr
Painting ID:: 85271
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Theo Van Rysselberghe The Sisters of the Painter Schlobach 1884(1884)
Medium Oil on canvas
cyf
Painting ID:: 86196
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Theo Van Rysselberghe Sitzender Akt 1905(1905)
Medium Oil on cardboard
Dimensions 37 x 26.5 cm (14.6 x 10.4 in)
cyf
Painting ID:: 94260
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Theo Van Rysselberghe Portrait of Marguerite van Mons who later married Thomas Braun 1886(1886)
Medium oil on canvas
Dimensions 89.5 x 70.5 cm (35.2 x 27.8 in)
cjr
Painting ID:: 94261
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Theo Van Rysselberghe Portrait of Madame van Rysselberghe and daughter cjr
Painting ID:: 94262
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Theo Van Rysselberghe Four Bathers cjr
Painting ID:: 94263
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Theo Van Rysselberghe Magnolias 1910
cjr
Painting ID:: 98173
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Theo Van Rysselberghe The Sisters of the Painter Schlobach 1884(1884)
Medium oil on canvas
cyf
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Theo Van Rysselberghe
Belgian Pointillist Painter, 1862-1926
was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Academy of Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Theo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there a total of one year and half. Barely 18 years old, he already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his Self-portrait with pipe (1880), painted in somber colours in the Belgian realistic tradition of that time. His Child in an open spot of the forest (1880) already departs from this style and he sets his first steps towards impressionism.
